' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_fad292b0-97f5-4a2c-acc6-ccafcefe481e" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-fad292b0-97f5-4a2c-acc6-ccafcefe481e'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-fad292b0-97f5-4a2c-acc6-ccafcefe481e'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-fad292b0-97f5-4a2c-acc6-ccafcefe481e'));
2014
Directed by Patricio Valladares
Synopsis
Hide your daughters.
The story of two sisters who have been raised in isolation, subjected to the torment of their abusive, drug dealing father. When they finally decide to report him to the police, he kills the two officers and is put in jail. But things go from bad to worse when the girls must answer to their Uncle Costello, a psychotic drug kingpin, who shows up looking for his missing merchandise which is hidden in the woods.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_bea85e99-3326-4113-ac74-040b3ac41bb3" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-bea85e99-3326-4113-ac74-040b3ac41bb3'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-bea85e99-3326-4113-ac74-040b3ac41bb3'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-bea85e99-3326-4113-ac74-040b3ac41bb3'));
- Cast
- Crew
- Details
- Genres
- Releases
Cast
Michael Biehn William Forsythe Ricco Ross Jennifer Blanc Krzysztof Soszynski Electra Avellan Jeannine Kaspar Nick Bateman Chris Browning Mark Burnham Andy Mackenzie J. LaRose Luke Massy Nick W. Nicholson Greg Ingram
DirectorDirector
Patricio Valladares
ProducersProducers
Evelyn Belmar Loris Curci Patricio Valladares Jennifer Blanc Michael Biehn
WritersWriters
Bradley Marcus Kevin Marcus
Original WritersOriginal Writers
Patricio Valladares Andrea Cavaletto
EditorEditor
Patricio Valladares
Executive ProducerExec. Producer
Nick W. Nicholson
SoundSound
D.J. Lynch
Studios
Blancbiehn Productions WTFilms Valladares Films Artigo Indie Hackybox Pictures Small Red Star Productions
Countries
France USA
Language
English
Alternative Titles
En las Afueras de la Ciudad, 히든 인 더 우즈, Βία στη βία, En las afueras de la ciudad, Спрятанный в лесу, 藏身密林
Genre
Thriller
Releases by Date
- Date
- Country
Theatrical
12 Dec 2014
USANR
17 Sep 2015
- South Korea청소년관람불가
Digital
02 Jun 2016
- Germany18
02 Dec 2016
- USA
Releases by Country
- Date
- Country
Germany
02 Jun 2016
- Digital18DVD & Blu-raypremiere
South Korea
17 Sep 2015
- Theatrical청소년관람불가
USA
12 Dec 2014
- TheatricalNRAmerican FilmMarket
02 Dec 2016
- DigitalInternet & DVDpremiere
98mins More atIMDbTMDB Report this page
Popular reviews
More-
Review by G. Jardar 1
I met Michael Biehn once. It was about ten years ago. There he was, right in front of me, the star of so many of my favourite childhood movies. The Terminator! Aliens!! The Abyss!!! I tried to shake his hand, but he didn't reach out his hand in response. Instead he just left me hanging and stared at me. I had never experienced this before, so I froze. You could hear a pin drop. My mind was racing: "Quick! Think of something nice to say! Quick think of something nice to say!" and then it hit me, "duh, I'll tell him the truth, that he is one of my favourite actors!" But as I opened my mouth, the following line…
-
Review by Willy
amateurish and not a horror film, but it's somehow got some kinda charm to it that kept me watching. it's a combination of the commited, impovis-y type acting, the bright and sunny daylight setting, which is kinda odd for a film like this, and just the overall confidence behind the camera that's holding it all together. it's also pretty well shot, actually, with the odd lil extra stuff (changing lenses/angles) to spice things up.
refreshing to see 2 hispanic girls leading! even when they're mainly there to just be attacked and used by every man they come across. good ending tho 🤷🏻♀️ im not mad it.
EDIT:so this is actually a remake of the chilean 2012 film by the same director, which i accidentially logged instead of this. guess i'll be checking out the original too.
-
Review by Cliff ★★
This sweaty Texan thriller is an English language remake of the director's own 2012 Chilean film, which I haven't seen. On the basis of this version, I'm in no great rush to. Opening to the screams of two young women who are kept as slaves by their horrifically nasty dad, there's an immediate touch of Martyrs about it, and if you're a fan of that kind of thing then you might get more out of this misleadingly-titled movie than I did.
For our heroines, sisters curiously named Ana & Anny, go through a lot of shit at the hands (and more often, the dicks) of abusive men, and escaping from their dad only throws them into worse experiences, giving the premise…
-
Review by Gortchilo ½ 2
it should be hidden
-
Review by Kevin79 ★
Hidden in the Bargain Bin
-
Review by ichoosefiction ★½
qualitatively it's comparable to the Wrong Turn sequels - bad acting and sadistic hillbillies. At least the lead was pretty solid?
-
Review by Film Blitz ★★★½
Full review: filmblitz.org/hidden-in-the-woods-2016/
Do-overs generally struggle to avoid seeming superfluous - the worst example likely being John Badham's version of Nikita, which I've always referred to as Remake of No Point. But if there's someone else at the helm, they can sometimes bring a fresh eye to proceedings and develop the same material differently. If you're going back to the same well yourself, what more can you really do? However, in this case, transplanting the film to Texas may help. For it gives the remake a scummy, white trash setting, with which we are likely more familiar than its South American counterpart.
